I shall start by giving you all a few minutes to play your favourite David Bowie song and sing along loudly. Off you go…
Right. I picked Ziggy Stardust – how about you?
And now to business. Wait, don’t switch him off – you can leave David playing as you read.
I’ve always fancied having a go at screen printing. And recently it’s become a more pressing need – particularly as I’d like to be able to produce my own greetings cards, and maybe even bags, t-shirts, and other fabric goodies. The thing that’s been holding me back though is the cost of all the equipment, and the lack of space on my desk in a tiny corner of one room, which I fondly call “stupidcats HQ” (the desk, not the room!). And then, the other weekend, whilst roaming around London on a bit of a jolly, we stumbled upon a little art shop. And right at the back, rather dusty and half hidden, was one of the screen printing kits I’d been looking at as a small, easy way to try the process out, and it was reduced to half the price I’d seen it anywhere else. Well, what else could I do except buy it?!
Monday being a rest day (I have one of those jobs where you often have to take all or half of your weekend on random weekdays) I bounced out of bed, all keen and eager for my first venture into screen printing. I’d done a little cat doodle at the weekend and decided to use him for my first test print:
So I drew him in Illustrator on my trusty Mac and had a play with colour fills:
I’d decided to use the drawing fluid and filler method for my first attempt, as I wanted the printed cat to look sort of wobbly – not clean and crisp like the computer version. And I liked the idea of painting directly on to the screen, and creating multiples copies of something hand drawn. So the next step was to draw the images in with drawing fluid and a paintbrush:
I had no idea if I’d put too much or too little drawing fluid on! I left it to dry for a few hours, then moved on to the screen filler. This involved using the squeegee to wipe the fluid down over the image in one stroke, and not to NO NEVER EVER TO do a second stroke or you’ll risk the blue drawing fluid starting to dissolve away…
I may have panicked a bit and not pressed down enough for the first few inches. Which meant the top image was completely covered in red goo. I may then have panicked a bit more and done a second wipe over the top image which is EXACTLY what you’re not supposed to do.
But I thought I’d plough on, as all experience is useful! I then had to leave the screen to dry overnight, then wait until the following evening before I could do anything else because work got in the way, humph!
I washed off the blue drawing fluid, leaving just the red filler behind…
…and got a bit more convinced that my double swipe of the filler had played havoc with his whiskers. Once again the screen was put aside to dry.
A couple of days later, when I had a bit of time to spare between shifts, I hit the ink! I just went for the blue ink supplied with the kit, rather than trying to mix anything lighter for my first attempt.
Ta-daaaaaaaa! I was right about the whiskers! Now I’ve done it once, I know what to do differently next time to hopefully improve the results. I’m rather pleased with him though – the wobblyness is what I was after, although the cat outline is too thick and, of course, his whiskers have been in the wars! But all in all, it was a hugely enjoyable lesson and I’m itching to get the screen cleaned and start again – this time without dissolving his whiskers and mixing a lighter shade of blue. I’ve also got hold of another screen with finer mesh, which should help with finer details.
Keep your eyes peeled on my Twitter, Instagram and Facebook feeds for progress pictures of my next attempt!
And finally, while we’re on the subject of screen printing, I stumbled upon something today that made me squeak!
Cobden Place is a restored heritage building in Nottingham’s Creative Quarter. In their own words, “Cobden Place endeavours to incubate and support an array of creatively driven independent businesses, and encourage growth within Nottingham’s design industry.” Together with print studio Dizzy Ink and screenprinting technician Tom Camp, they want to create a “School of Print”. Again, in their words: “With a variety of printing methods including risograph, screenprinting and mimeograph, the School of Print will facilitate and educate practitioners of print through a varied workshop programme and the option of membership to come and use the space and facilities once trained on the equipment!”
They launched a Kickstarter today to raise £8,000 to make the School of Print a reality, and have already been backed to the tune of just over £800! This would be a fantastic resource for Nottingham and beyond – please help them reach their target by backing them, and sharing the link with the world! Thank you!
Click here to watch their video on their Kickstarter page…
That’s all for now folks!